Tag: Music

Remembering LaShawn Daniels (1977-2019)

LaShawn Daniels, a Grammy Award-winning songwriter, died Tuesday as a result of injuries from a car accident at the age of 41, according to CNN. His writing credits spanned decades and genres, and included hits like Whitney Houston’s “It’s Not Right but It’s OK,” Michael Jackson’s “You Rock My World,” Destiny’s Child “Say My Name,” and Lady Gaga’s “Telephone.” Daniels’ wife, April Daniels, posted a statement to Instagram announcing the death of her husband.

“It is with deep sorrow and profound sadness that we announce the passing of our beloved husband, father, family member and friend, LaShawn Daniels who was the victim of a fatal car accident in South Carolina,” writes wife April Daniels. “A Grammy Award-winning producer and songwriter, Daniels was a man of extraordinary faith and a pillar in our family.”

Daniels, better know as “Big Shiz,” was instrumental in creating the sound of late Nineties and early 2000s R&B and pop. In a 2018 interview with Rolling Out, Daniels described his working relationship with Whitney Houston. “We would talk about relationships and she loved talking about real situations,” he said. “She didn’t want to sing about anything that was fake, Whitney always wanted to keep it real. I think that’s another thing that made her special and people relate to her. It would start from a conversation and we’d go from there.”

LaShawn is survived by his wife, April, and his 3 sons.



#TheologyThursday: Thomas A. Dorsey

During the early 1930s, Thomas Dorsey created gospel music — the African American religious music which married secular blues to a sacred text. Under the name “Georgia Tom” he performed with blues artist Ma Rainey and her Wild Cats Jazz Band. He wrote over 400 compositions, but it is for “Take My Hand, Precious Lord” that he is best known.

Dorsey was the son of a Baptist preacher; his mother was the church organist. Throughout his early years he felt torn between the sacred and the secular. At eleven, he left school to take a job at a local vaudeville theater. Six years later, Dorsey left Atlanta for Chicago. He was part of the Great Migration north. In Chicago, Dorsey found success almost immediately. He was known as the “whispering piano player,” called to perform at after-hours parties where the pianist had to play quietly enough to avoid drawing police attention.

At twenty-one, his hectic and unhealthy schedule led to a nervous breakdown. He convalesced back home in Atlanta. There, his mother admonished him to stop playing the blues and “ serve the Lord.” He ignored her and returned to Chicago, playing with Ma Rainey. He married his sweetheart, Nettie Harper. But in 1925, a second breakdown left Dorsey unable to play music.

After his recovery three years later, Dorsey committed himself to composing sacred music. However, mainstream churches rejected his songs. Then, in August 1932, Dorsey’s life was thrown into crisis when his wife and son died during childbirth. In his grief, he turned to the piano for comfort. The tune he wrote, “Take My Hand, Precious Lord,” came, he says, direct from God. Dorsey co-founded the National Convention of Gospel Choirs and Choruses in 1933. Six years later, he teamed with Mahalia Jackson, and the team ushered in what was known as the “Golden Age of Gospel Music.” Dorsey himself became known as the father of gospel music. He died in 1993.

Remembering James Ingram (1952-2019)

Ingram, an Ohio native, got his start as a musician with the band Revelation Funk and later played keyboards for Ray Charles. He was nominated for 14 Grammy Awards, winning for best male R&B performance for his song “One Hundred Ways” in 1981 and best R&B performance for a duo or group in 1984 for “Yah Mo B There.”  His duet with Patti Austin, “How Do You Keep the Music Playing,” earned an Oscar nomination for best original song in 1983.
Over the course of his career, Ingram also had successful collaborations with Linda Rondstadt, Quincy Jones, Barry White and Dolly Parton. He co-wrote Michael Jackson’s hit song “P.Y.T. (Pretty Young Thing)” with Jones.
Ingram was also nominated for two Golden Globe Awards — one in 1994 for best original song for “The Day I Fall in Love” and again in the same category the following year for “Look What Love Has Done.”

Remembering Aretha Franklin (1942 – 2018)

With more than 20 No. 1 R&B hits, singles sales that have long since surpassed the $10 million mark, nearly 50 Top 40 hits and 18 Grammy awards to her name, Aretha Franklin, the “Queen of Soul,” is easily reckoned as one of the greatest musical icons of all time. Though her passing at age 76 leaves behind family, friends and a music world in mourning, it also bequeaths an inheritance of one of the finest catalogs in modern history and the chance to reflect on the life of the woman behind such songs as “Respect,” “Chain of Fools” and “(You Make Me Feel Like) A Natural Woman.”

Born on March 25, 1942, it could be said of Aretha Franklin that music was woven into the fabric of her being. Not only was her birthplace — Memphis, Tennessee — one of the most important cities in the history of blues and rock ‘n’ roll, but her father, C. L., was a Baptist minister and gospel singer known nationwide as “The Man with the Million-Dollar Voice.” He moved the family to Detroit — another musical hotbed — in 1944. Aretha’s mother, Barbara, was a singer as well, although she left the family when Aretha was just six and died four years later, the first in a long string of heartaches that would run through her life.

By the middle of the 1950s, Aretha had learned to play piano and, along with her sisters, was singing in her father’s church choir. She also toured the gospel circuit with C. L. during this time and became acquainted with the likes of Clara Ward, Mahalia Jackson and Smokey Robinson, as well as civil rights figures such as Martin Luther King Jr. and Jesse Jackson, who were among her well-connected family’s many notable friends.

But soon life began to move quickly for Aretha. In 1956, at age 14, she released her first album, a gospel recording called Songs of Faith. Two years later after being courted by Sam Cooke to sign with RCA Records and Berry Gordy with his Motown label, in 1960 she signed to Columbia Records and moved to New York to begin her career.

Working with producer John Hammond, over the next five years Aretha would find moderate success, releasing nine albums and several R&B hits but only one Top 40 pop offering, 1961’s “Rock-a-bye Your Baby with a Dixie Melody.” That same year, she married a man named Ted White, with whom she would have her third son, Teddy Jr. But Aretha had yet to reach her full potential, and it would take a label move and a new producer to allow her to fully tap the wellspring of her talent and usher in the greatest period of her lengthy career.

In 1966 Aretha signed with Atlantic Records. Working with producer Jerry Wexler and backed by the Muscle Shoals Rhythm Section, she finally found the right chemistry to make magic happen, setting the passion of gospel into a framework of pop. In 1967 her I Never Loved a Man the Way I Love You was released to great acclaim, with the title track giving Aretha her first Top 10 hit.

The albums Aretha Arrives (1967), Lady Soul (1968) and Aretha Now (1968) followed, bringing the world such legendary offerings as “Respect,” “Think,” “Chain of Fools,” “Baby, I Love You,” “Since You’ve Been Gone” and “(You Make Me Feel Like) A Natural Woman,” and earning Aretha several Grammy Awards, the cover of the June 1968 issue of Time magazine and her “Queen of Soul” nickname. Transcending her popularity as a singer, she also became a symbol of pride for black Americans at the height of the Civil Rights Movement and a symbol of strength for women as the feminist movement began to gain traction.

Franklin  carried her Midas touch into the 1970s, with hits like “Don’t Play That Song” and her reworking of Simon & Garfunkel’s “Bridge Over Troubled Water” giving Aretha more million-sellers than any woman in history. Additionally, her 1972 album, Amazing Grace, became the best-selling gospel album of all time.

She also began to branch out in the studio, working with legendary producers Curtis Mayfield and Quincy Jones, and continued her awards success with her eighth consecutive Grammy, for 1975’s “Ain’t Nothing Like the Real Thing.” With the new decade came new beginnings for Aretha. In 1980 she signed a contract with Arista Records and also appeared in the popular film The Blues Brothers. A return to the top of the charts followed with the Luther Vandross–produced Jump to It (1982), whose title track gave Aretha her first Top 10 hit in more than five years. Now back in the spotlight, she parlayed her renewed popularity, working again with Vandross for 1982’s Get It Right and with Narada Michael Walden for 1985’s Who’s Zoomin’ Who, which became her first platinum album and produced three hit singles, including the Grammy Award–winning “Freeway of Love.”

In recognition of her ongoing chart-topping and award-winning output, in 1987 Aretha Franklin became the first woman to earn induction into the Rock and Roll Hall of Fame. She underlined the honor with the release of her No. 1 duet with George Michael, “I Knew You Were Waiting (for Me).”

Though her popularity as a contemporary artist began to wane following her Hall of Fame induction, Aretha Franklin remained both active and successful. Her 1989 album, One Lord, One Faith, One Baptism, received a Grammy for Best Soul Gospel Album, and in 1994 she received both a Lifetime Achievement Grammy and Kennedy Center Honors. A lucrative three-album deal with Arista two years later would lead to the gold record A Rose Is Still a Rose, whose title track — produced by Fugees star Lauryn Hill — gave Aretha yet another Top 40 hit, while her much-anticipated autobiography, Aretha: From These Roots, was published in 1999.

The new millennium brought new projects, new honors and more accolades. Aretha’s 2003 album, So Damn Happy, produced two charting singles — giving her the distinction of having chart hits in five consecutive decades — and in 2005 she was awarded the Presidential Medal of Freedom.

After releasing the duet album Jewels in the Crown in 2007, she left Arista to start Aretha Records, and following surgery in 2010 she released her debut on her new label, Aretha: A Woman Falling Out of Love (2011). Three years later, with her cover of the Adele song “Rolling in the Deep,” she became the first woman in history to have 100 songs in the R&B charts. In fitting tribute to her astronomical career, that same year asteroid 249516 was named “Aretha.”

Although Aretha had continued to record and tour until the end, performing publicly at everything from President Barack Obama’s 2009 inauguration to Super Bowl XL to the Late Show with David Letterman.

Franklin passed away from advanced form of pancreatic cancer on August 16th, 2018. She is survived by her four sons.

*Excerpts taken from Biography.com



He IS My ‘End Game’

I just went to my first Taylor Swift concert, ya’ll. A friend of mine had some good seats, I mean great seats & an extra ticket so I went with her. We sat up in a box seat & were served food and drinks all night long. Before the concert started we mingled with the other VIP guests and took our seats once the show began. It was the perfect evening – the weather was clear and the show went off without a hitch.

“Revolution” is Taylor Swift’s 5th tour & she sang most of the songs on her album plus a few throwbacks. All in all, the concert lasted about two hours but one of the songs that really stood out to me was “End Game”. Here’s the chorus:

I wanna be your endgame
I wanna be your first string;
I wanna be you’re A Team
I wanna be your endgame, endgame


As I was singing along with Taylor, I thought about the men in my life & my own end game. What was my ‘end game’? What do I hope to accomplish by dating? Was I looking for love? Commitment? Attention?

I knew that I wanted to be in a healthy, fulfilling relationship but what about after that? Where should my relationship lead to?

Well, I knew that I wanted a healthy & happy relationship that would eventually led to marriage. After all, what’s the point of just dating forever & forever? My end game when it comes to men is to be a wife to the right man & be in a long-lasting, healthy and (mostly) happy marriage.  I want to be a man’s helpmeet (read Genesis, ya’ll if you don’t know what I’m talking about) and have a flourishing marriage that can be a testimony to others who are looking to do the same.

So, any man that I choose to be with better understand that if he treats me right – he will be my “end game”.

What is your end game when it comes to relationships?!