NBA Coach Declares: “Racism is America’s ‘National Sin'”

San Antonio Spurs head coach Gregg Popovich gave his thoughts on Black History Month, calling the treatment of black Americans the country’s “national sin.”

Popovich has been one of the most outspoken coaches in the NBA, particularly during President Donald Trump’s political ascendancy. Popovich has regularly criticized Trump’s policies and rhetoric, especially regarding minorities and women.

When asked about Black History Month, which is in February, Popovich said the month should be treated as a remembrance and celebration.

“It sounds odd because we’re not there yet, but it’s always important to remember what has passed and what is being experienced now by the black population. It’s a celebration of some of the good things that have happened, and a reminder that there’s a lot more work to do,” he said. “But more than anything, I think if people take the time to think about it, I think it is our national sin.

“If you were born white, you automatically have a monstrous advantage educationally, economically, culturally in this society and all the systemic roadblocks that exist, whether it’s in a judicial sense, a neighborhood sense with laws, zoning, education, we have huge problems in that regard that are very complicated, but take leadership, time, and real concern to try to solve. It’s a tough one because people don’t really want to face it,” Popovich added. “And it’s in our national discourse.”

Popovich also criticized Trump for leading the birther movement, which falsely claimed President Obama was not born in the United States.

“We have a president of the United States who spent four or five years disparaging and trying to illegitimize our president, and we know that was a big fake, but [he] still felt for some reason that it had to be done,” he said. “I can still remember, a paraphrase close to a quote, ‘Investigators were sent to Hawaii and you cannot believe what they found.’ Well, that was a lie. If it’s being discussed and perpetrated at that level, then you have a national problem.”

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*Originally posted on Sports Illustrated.

#MusicalMonday: Who is Thelonious Monk?

The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk‘s music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.

Thelonious Monk grew up in New York, started playing piano when he was around five, and had his first job touring as an accompanist to an evangelist. He was inspired by the Harlem stride pianists (James P. Johnson was a neighbor) and vestiges of that idiom can be heard in his later unaccompanied solos. However, when he was playing in the house band of Minton’s Playhouse during 1940-1943, Monk was searching for his own individual style. Private recordings from the period find him sometimes resembling Teddy Wilson but starting to use more advanced rhythms and harmonies. He worked with Lucky Millinder a bit in 1942 and was with the Cootie Williams Orchestra briefly in 1944 (Williams recorded Monk‘s “Epistrophy” in 1942 and in 1944 was the first to record “‘Round Midnight”), but it was when he became Coleman Hawkins‘ regular pianist that Monk was initially noticed. He cut a few titles with Hawkins (his recording debut) and, although some of Hawkins‘ fans complained about the eccentric pianist, the veteran tenor could sense the pianist’s greatness.

The 1945-1954 period was very difficult for Thelonious Monk. Because he left a lot of space in his rhythmic solos and had an unusual technique, many people thought that he was an inferior pianist. His compositions were so advanced that the lazier bebop players (although not Dizzy Gillespie and Charlie Parker) assumed that he was crazy. And Thelonious Monk‘s name, appearance (he liked funny hats), and personality (an occasionally uncommunicative introvert) helped to brand him as some kind of nut. Fortunately, Alfred Lion of Blue Note believed in him and recorded Monk extensively during 1947-1948 and 1951-1952. He also recorded for Prestige during 1952-1954, had a solo set for Vogue in 1954 during a visit to Paris, and appeared on a Verve date with Bird and Diz. But work was very sporadic during this era and Monk had to struggle to make ends meet.

His fortunes slowly began to improve. In 1955, he signed with Riverside and producer Orrin Keepnews persuaded him to record an album of Duke Ellington tunes and one of standards so his music would appear to be more accessible to the average jazz fan. In 1956 came the classic Brilliant Corners album, but it was the following year when the situation permanently changed. Monk was booked into the Five Spot for a long engagement and he used a quartet that featured tenor saxophonist John Coltrane. Finally, the critics and then the jazz public recognized Thelonious Monk‘s greatness during this important gig. The fact that he was unique was a disadvantage a few years earlier when all modern jazz pianists were expected to sound like Bud Powell (who was ironically a close friend), but by 1957 the jazz public was looking for a new approach. Suddenly, Monk was a celebrity and his status would not change for the remainder of his career. In 1958, his quartet featured the tenor of Johnny Griffin (who was even more compatible than Coltrane), in 1959 he appeared with an orchestra at Town Hall (with arrangements by Hall Overton), in 1962 he signed with Columbia and two years later was on the cover of Time. A second orchestra concert in 1963 was even better than the first and Monk toured constantly throughout the 1960s with his quartet which featured the reliable tenor of Charlie Rouse. He played with the Giants of Jazz during 1971-1972, but then in 1973 suddenly retired. Monk was suffering from mental illness and, other than a few special appearances during the mid-’70s, he lived the rest of his life in seclusion. After his death it seemed as if everyone was doing Thelonious Monk tributes. There were so many versions of “‘Round Midnight” that it was practically a pop hit! But despite the posthumous acclaim and attempts by pianists ranging from Marcus Roberts to Tommy Flanagan to recreate his style, there was no replacement for the original.

Some of Thelonious Monk‘s songs became standards early on, most notably “‘Round Midnight,” “Straight No Chaser,” “52nd Street Theme,” and “Blue Monk.” Many of his other compositions have by now been figured out by other jazz musicians and are occasionally performed including “Ruby My Dear,” “Well You Needn’t,” “Off Minor,” “In Walked Bud,” “Misterioso,” “Epistrophy,” “I Mean You,” “Four in One,” “Criss Cross,” “Ask Me Now,” “Little Rootie Tootie,” “Monk’s Dream,” “Bemsha Swing,” “Think of One,” “Friday the 13th,” “Hackensack,” “Nutty,” “Brilliant Corners,” “Crepuscule With Nellie” (written for his strong and supportive wife), “Evidence,” and “Rhythm-a-Ning,” Virtually all of Monk‘s recordings (for Blue Note, Prestige, Vogue, Riverside, Columbia, and Black Lion) have been reissued and among his sidemen through the years were Idrees Sulieman, Art Blakey, Milt Jackson, Lou Donaldson, Lucky Thompson, Max Roach, Julius Watkins, Sonny Rollins, Clark Terry, Gerry Mulligan, John Coltrane, Wilbur Ware, Shadow Wilson, Johnny Griffin, Donald Byrd, Phil Woods, Thad Jones, and Charlie Rouse. His son Thelonious Monk, Jr. (T.S. Monk) has helped keep the hard bop tradition alive with his quintet and has headed the Thelonious Monk Institute, whose yearly competitions succeed in publicizing talented young players.

Thelonious Monk passed away in 1982, leaving behind many loved ones.

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*Originally published on Allmusic.

Remembering Clyde Stubblefield (1943-2017)

It took only 20 seconds for Clyde Stubblefield to drum his way to immortality. They came near the end of James Brown’s “Funky Drummer,” recorded in a Cincinnati studio in late 1969. Brown counts him in — “1, 2, 3, 4. Hit it!” — and Mr. Stubblefield eases into a cool pattern, part bendy funk and part hard march. It’s calm, slick and precise, and atop it, Brown asks over and over, “Ain’t it funky?”

It was. That brief snippet of percussion excellence became the platonic ideal of a breakbeat, the foundation of hip-hop’s sampling era and a direct through line from the ferocious soul music of the civil rights era to the golden age of history-minded hip-hop of the 1980s and 1990s.

Though Mr. Stubblefield wasn’t enamored of the song — “I didn’t like the song. I still don’t really get off on it,” he told Paste magazine in 2014 — its mark became indelible. Public Enemy’s “Fight the Power,” LL Cool J’s “Mama Said Knock You Out,” Boogie Down Productions’ “South Bronx,” Sinead O’Connor’s “I Am Stretched on Your Grave,” George Michael’s “Freedom! ’90” and Kenny G’s “G-Bop”: Mr. Stubblefield’s “Funky Drummer” break appeared as a sample in all of those songs, and over a thousand more, from the 1980s to the present day. It made Mr. Stubblefield, who died on Saturday in Madison, Wis., at 73, perhaps the most sampled drummer in history.

The cause was kidney failure, said his manager, Kathie Williams.

Mr. Stubblefield was born on April 18, 1943, and grew up in Chattanooga, Tenn., where he was drawn to the rhythms of local industrial sounds, from factories to trains. “There was a factory there that puffed out air — pop-BOOM, pop-BOOM — hit the mountains and came back as an echo,” he told Isthmus in 2015. “And train tracks — click-clack, click-clack. I listened to all that for six years, playing my drums against it.”

His sharp funk provided the anchor on anthems like “Cold Sweat,” “Say It Loud — I’m Black and I’m Proud,” and “I Got The Feelin’.” Always, his playing was complex but collected — his flourishes between beats were as essential as the beat itself. Brown demanded a lot of his band, and Mr. Stubblefield, with playing that had punch, nimbleness and wet texture, never appeared to be breaking a sweat.

“In short, there have been faster, and there have been stronger, but Clyde Stubblefield has a marksman’s left hand unlike any drummer in the 20th century,” Questlove, the drummer and music historian, said in 2011. “The thing that defines him, that sets him apart from other drummers, are his grace notes, which are sort of like the condiments of what spices up the main focus.” He added, “His grace notes, his softest notes, defined a generation.”

Shortly after Mr. Stubblefield left Brown’s band, he settled in Madison, where his brother, who was in the Air Force, was stationed. He lived there until his death, becoming a local fixture thanks to a regular Monday nightclub gig that he held through the 1990s and 2000s, and his work on the Wisconsin public radio show “Whad’Ya Know?” He was inducted into the Wisconsin Area Music Industry Hall of Fame in 2000. A pair of his drumsticks are in the Rock & Roll Hall of Fame in Cleveland.

Though “Funky Drummer” was released as a single, it was never on an album until the 1986 compilation “In the Jungle Groove.” That was in the thick of hip-hop’s sampling era, and it caught on quickly, becoming perhaps the most important drum pattern in hip-hop history.

Brown was a notorious taskmaster as a bandleader, and he also retained all the songwriting credit for the work his band did, meaning that as the hip-hop generation discovered Mr. Stubblefield’s playing and used it as a backbone, he saw none of the financial rewards.

“All my life I’ve been wondering about my money,” Mr. Stubblefield, with a chuckle, told The New York Times in 2011. He tried to remedy this by releasing albums of his own — “Revenge of the Funky Drummer” and “The Original Funky Drummer Breakbeat Album.” In 2011, the DVD release of the documentary “Copyright Criminals” featured a collection of new Stubblefield performances designed for easy sampling.

At times, Mr. Stubblefield performed with his old bandmates. He and Mr. Starks formed a duo, Funkmasters, that released music and also recorded instructional videos. At times, Mr. Stubblefield performed with the J.B.’s, a collection of former members of James Brown’s band; they released a 1999 reunion album, “Bring the Funk on Down.” And he reunited with the original J.B.’s rhythm section on the soundtrack for the 2007 comedy film “Superbad.”

Survivors include his longtime companion, Jody Hannon.

The later part of Mr. Stubblefield’s life was marked by bouts of poor health. He had a kidney removed in 2002. In recent years, he suffered from renal disease and underwent dialysis multiple times a week. He also had a thumb amputated after a burn accident in 2014.

In 2000, Mr. Stubblefield received a diagnosis of bladder cancer, which he survived, but he faced daunting medical bills of approximately $90,000.

Named as one of the greatest drummers of all time, Mr. Stubblefield leaves behind a great host of fans & admirers.

#SoulfulSundays: Why Does It Always Seem Like The World Is Sinning And Winning?

Have you ever noticed a couple date every way but God’s way, have sex on the regular then end
up getting married and have their marriage last longer than some Christian marriages?
Or two new age non-believers who live together for three years then get married and appear to be
the happiest couple in the world?
It may have you asking yourself, “Why is it that they get to enjoy sex where here I am trying to 
live right and I can’t even get a man?  Where is my husband?”
It almost as if they’re being rewarded for their indiscretions, while you’re being punished with
having the manifestation of your Boaz prolonged even though you’re living right.

If you’ve ever felt that way, I want to encourage you to envy not the world or the outward

appearance of a reward from those who don’t live according to God’s will.

Only God can judge them, and only God knows the true condition of their heart or what’s it’s like

living in their home on a day to day basis.  (Matthew 7:1)

Instead of focusing on couples around you, continue to stay focused and encouraged as you
wait on God’s best and not settle for anything less.

Sure it may take a little longer than normal, but it’ll definitely  be worth it, and you’ll also be
able to reap all the benefits, rewards and peace from knowing you and your boo waited on
God for each other and dated God’s way.

Let not thine heart envy sinners: but be thou in the fear of the LORD all the day long. 
Proverbs 23:17

Fret not thyself because of evildoers, neither be thou envious against the workers of iniquity. 
{Psalm 37:1}

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*Originally published on Kim on the Web.

I Can’t Help BUT To Get Excited!

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As a woman, sometimes I get down when I think about being single. I’m not saying that being single is the end of the world but sometimes it does feel like it. Watching everyone else get engaged or married, not having a regular date on the weekends and not having that special confidant can make one feel lonely, undesirable or just plain sad. There are some days when I wonder if finding the “right one” will ever happen for me and there are other days I bask in my singleness! Obviously, I am not the first woman to endure this, nor will I be the last but sadness is not a good emotion to have.

So instead of feeling sad all the time, I choose to get excited! My excitement stems from the fact that there is 1 man out there somewhere who is waiting to meet me, date me, fall in love with me & ask me to be his wife. That man is wondering where I am, who I am & when I will come into his life. My future husband is a wonderful, thoughtful, charismatic, tall, attractive, God-fearing man who has ZERO children. He has been single his entire life, just like I have, and is prepared to settle down with his “perfect” match.

There will be so much to learn about each other, marriage & life after marriage that it can really get overwhelming just thinking about it all. What will his friends be like or his parents? Will he like to travel as much as I do or will he be more of a homebody? Will I have to learn how to prepare his favorite meals or will he be the resident chef at home? Will he shut down when we have an argument or will he be willing to talk things thru right away? Will he hog the covers at night or will he snore like a saw? There are so many questions I have about the man I will end up with that even thinking about what he’s like is very exciting to me.

Just think about it, there is a guy out there who is thinking about me just as much as I’m thinking about him, and we don’t even know each other (yet)! The possibilities are endless (& exciting) when you don’t know who you’re going to marry.

#BlackLivesMatter: Who Was Sandra Bland?

In the days after she died, #SandySpeaks went viral. Her videos made her the first black casualty of police brutality whom the world could know and deeply love postmortem. She’s been gone now for almost a year, and we are still asking: #What­HappenedtoSandraBland? Too often, that question has been merely a call to conspiracy theory: about monstrous jail guards murdering her, perfectly hiding the evidence, even taping her eyes open after death to take a convincing mug shot. The obsession over what transpired during three days at the end of her life has left little room for considering the 28 years before. Black lives matter—and hers was one of them, in its length, complication, and black pain.

Sandra Annette Bland—Sandy, as everyone called her—was born in 1987. Her mother, Geneva Reed, raised five girls on her own; she had the first at age 15. As an old friend from grade school remembers, Reed’s determination was “thunderous,” even as a child. She graduated from high school on time. She received a bachelor’s in journalism at age 23. Today, she has a real-estate business.

Reed grew up on Chicago’s Near West Side. But by the time she had Sandy, the area was profoundly segregated, poverty-stricken, and violent. So in the 1990s, when Sandy was 9, Reed headed with her daughters to the suburbs—settling in DuPage County, just west of Chicago DuPage is affluent, quiet, and back then was just 4% black.

Deeply religious, Reed joined the DuPage African Methodist Episcopal Church, which was feted by the Chicago Tribune as a flagship of the suburbs’ emerging black middle class. By age 13, Sandy was singing in the choir, standing next to her classmate Robert Lega. The two became close, mainly, Lega told me, because Sandy had a wicked sense of humor and never took offense at his gross adolescent jokes. Dee and Lionel Watts were church members who were childless, and they, too, loved Sandy. Dee, a software engineer, became Sandy’s godmother.

Sandy was “spunky, feisty, and wasn’t going to let anyone run over her,” says Joyce Kordas, who taught business courses at the largely white high school. The white teachers weren’t used to it. Sandy joined a dizzying array of extracurricular groups, from the foreign-language honor society to the cheerleading squad, where she was the only black member. And she joined the concert band, playing trombone—a choice that shaped her life.

In her senior year, she was accepted on a music scholarship to Prairie View A&M University, near Houston. The school was founded for ex-slaves after the Civil War, and it sits in Waller County, in Texas’s historically Deep South region. The little town surrounding the school, also named Prairie View, today has a few thousand residents; this small population is overwhelmingly black.

 

The school band’s name is the Marching Storm, and it’s known for pioneering the drum line. At black colleges, the marching band’s halftime shows are fantastic affairs, often a bigger draw than the game itself. At Prairie View, the larger-than-life band leader was George “Prof” Edwards, a stern but affectionate taskmaster. When he was displeased with someone’s performance, he often ordered the errant student to do push-ups. He demanded martial discipline via a traditional enactment of masculinity that included the female members. According to Lanitra Dean, a schoolmate of Sandy’s who played clarinet, Edwards used to say: “There are no females in the band—no girls.” Sandy was “no girls” times two. Dean remembers that she eagerly conformed to the bandmaster’s grueling schedule. Sandy, Dean says, was “strong”—even as she confided in some friends at Prairie View that she had epilepsy. “She never cried.”

And she was busy without letup. She joined a historically black sorority, Sigma Gamma Rho, which emphasizes community service. She constantly volunteered for projects. She also helped LaVaughn Mosley, a middle-aged man at Prairie View who worked with students  from poor families who had problems adjusting to college. Mosley was dazzled by Sandy’s talent for counseling. He became her friend and mentor.

Sandy majored in what Prairie View A&M calls “animal science.” Sorority sister Ashley Gooden remembers Sandy often saying that she wanted to work for the Food and Drug Administration. But when she graduated, in 2009, there were few jobs open in animal science.

Unemployment that year was dire for everyone. The recession badly hurt young college graduates, but black grads had it worse, especially black women, who were more than twice as likely to be unemployed as white women. Overall, in 2010, one in five African Americans who’d just finished college couldn’t get a job. Many who were lucky enough to be hired ended up in low-paid positions unrelated to their majors

As she drove around Houston and Prairie View, Sandy was deluged with traffic tickets, fines, and court costs. Texas has no income tax, and the state, its counties, and its municipalities have to get the money from somewhere. One way is through traffic tickets, using a system similar to the one the Justice Department has criticized in Ferguson, Missouri. In Texas, extra charges are attached to the tickets, and they are staggering. There’s a $25 “records management” fee, a $15 “judicial fund” fee, and $15 added to each bail-bond payment. The tickets themselves also include add-ons to fund a statewide program providing services for people with brain and spinal-cord injuries. Even Prairie View A&M’s juvenile-justice school was funded with money from traffic tickets.

In 2009, Sandy received tickets for driving in Waller County without a seat belt, driving without liability insurance, and speeding. Her fines and costs totaled $876.50. The following year, she was cited in Houston for speeding and colliding with a vehicle. The court told her she owed $260, though she said she was unemployed. She didn’t pay, and a warrant was issued for her arrest.

predictable: Nationally, one in five people her age were smoking marijuana in 2009, but people of color were especially likely to be criminally charged. In Harris County, which includes Houston, proportionately three times as many blacks as whites were being arrested and subjected to some of the harshest punishments in the country. Sandy faced prison time and a $4,000 fine. Her first year out of school was not going well. And then there was marijuana. In the Houston suburbs, Sandy was charged in 2009 with misdemeanor possession of a small amount. Her arrest was predictable: Nationally, one in five people her age were smoking marijuana in 2009, but people of color were especially likely to be criminally charged. In Harris County, which includes Houston, proportionately three times as many blacks as whites were being arrested and subjected to some of the harshest punishments in the country. Sandy faced prison time and a $4,000 fine. Her first year out of school was not going well.

Carl Anthony Moore is a Houston lawyer and Prairie View A&M alumnus. Sandy hired him to defend her, and he got the marijuana charge dropped and replaced with possession of “paraphernalia.” The fine was $500 and no jail time.

But then, in May 2010, Sandy was again arrested in Houston, as she was driving home from a party after midnight. A sheriff’s deputy said he noticed a car going too fast, with a bad headlight and the taillights out. He thought Sandy was drunk. She told him she didn’t drink much because of her epilepsy, so the few drinks she’d had that night might have affected her more than they would other people. She took a Breathalyzer test; it came back barely above the legal limit. She was arrested anyway, for DUI. Later, when her car was impounded, the deputy found a small plastic bag with 1.4 grams of marijuana. That amount would barely have made three joints. In Texas, it was enough for another possession charge.

Moore again represented Sandy. This time, he got the DUI dropped. He thought he could successfully fight the marijuana charge, too, but Sandy told him not to try. She seemed demoralized and overwhelmed, Moore says, as though she was having trouble coping with the stress of the case—and with stress in general. She had earlier told him that she smoked marijuana daily, and he wondered if she was self-medicating. Moore didn’t get a chance to explore further: She didn’t have the money to pay for more of his services, so she pleaded guilty to the possession charge. Her sentence was 30 days in lockup.

The Houston area’s main correctional facility is the Harris County Jail, which houses around 9,000 inmates each day. It was, and is, notorious. A year before Sandy landed there, the Justice Department investigated the jail and found rampant civil-rights violations. Overcrowding was one. Fights were another. Dirty sheets, clothing, and mattresses were common. In the intake area, there were no toilets, only holes in the floor.

After doing her 30 days in these conditions, Sandy broke up with her boyfriend and returned to Illinois, to resume her job search and reunite with her family. But she was worried that the Texas warrant—for the speeding and collision fine she’d never paid—would haunt her when she tried to renew her license in Illinois.

So Sandy did what is known among Texas’s poor as “sitting out” traffic tickets. The state lets people discharge their tickets with credit earned by serving time in jail. Sandy went back to the dirty, crowded, violent Harris County Jail and spent several days “paying” her ticket, earning $100 a day in credits.

After she was released, her Prairie View friend and mentor LaVaughn Mosley asked her how she’d managed. Sandy was all strength and bravado, giving him the impression that “it was nothing to her to sit out time” and that she’d done it “like a champ!”

Back in Illinois, she went from shitty job to shitty job. She worked some shifts at Portillo’s, a hot-dog and milkshake café. She did a few days at McDonald’s. She signed up with a temp agency. Sometimes she lived with her godmother, Dee Watts, and Dee’s husband Lionel. Other times, she stayed with her sisters, watching their children. She felt boxed in, and went back and forth to Texas on buses. By 2013, she was in Illinois again, still without her own place to live and still working as a temp. She hoped these brief assignments would lead to a permanent hire. They never did. According to her tax returns, in 2013, four years out of school, she grossed less than $8,000.

Her “background” got worse in Illinois. According to state data, black drivers in towns like Naperville, Lisle, and Villa Park are up to four and a half times more likely to be stopped for traffic violations than white drivers, and up to four times more likely to be searched. Fines collected from tickets are mostly put into county and township general funds. As in Texas, they operate like taxes on the poor.

In July 2013, Sandy got stopped in Naperville for speeding. She was also ticketed for driving without insurance and with a suspended registration and driver’s license. Her fine came to over $4,000. She didn’t appear at her court hearing. An arrest warrant was issued, and she spent a night in jail.

By 2014, Sandy owed thousands of dollars in tickets. Late one night in Naperville, she was arrested while driving with an inarguably high blood-alcohol level. As a one-time incident for a young adult, speeding and drunk driving might be deemed a sowing one’s-oats peccadillo—but with Sandy, they suggested emotional troubles.

Hearing a friend talk about depression was unusual for Lega. Considering it as a medical condition deserving of treatment is not something black people generally do, he says. Instead, “It’s like, ‘Hey, man, if you’ve got problems, figure out a way to deal with them.’” Lega’s observation is echoed by research and anecdotal evidence. A 2010 study by the Centers for Disease Control and Prevention found that percent of African Americans report major depression, a significantly higher percentage than whites, at just over 3%. Still, while about 14% of the population in general sought treatment for depression in 2011, only about 8% of African Americans did. Black women have it even worse than black men: They are among the most undertreated groups for depression in the nation.

One reason for the lack of treatment is that, even with Obamacare, many poor people still don’t have health insurance. And even when they do have plans, many psychotherapists don’t accept them. Today, another stereotype has arisen: the notion that extraordinary strength is a natural quality of African American women.

Immediately after Sandy’s death in July 2015, jail intake documents surfaced indicating that she had told the guards that she’d “lost a baby” a year earlier. Ectopic pregnancies are complicated medical experiences that most people don’t fully understand. That may be why, when asked by reporters, one of Sandy’s sisters said only that Sandy had “a miscarriage”—and that she had taken it in stride. But Sandy also reported that after she “lost a baby,” she tried to commit suicide by taking pills. Her family said they knew nothing about this.

Sandy’s godmother Dee Watts may have known. Her husband vaguely remembers Sandy seeming “sullen” and saying something to Dee about it. But Dee at the time had her own grave medical problems: She was terminally ill with cancer, and in July 2014—just weeks after Sandy’s pregnancy—she died. Dee was the older woman that Sandy had leaned on, for money, a place to stay, and a sympathetic ear. Lionel went into mourning and says he didn’t feel like having Sandy in the house anymore. He spoke with her much less often than when Dee was alive.

Sandy did not typically speak on Facebook about her misdemeanor record, her problems with money, or anything else personal and dark. But in early March, after two weeks of uncharacteristic silence, she finally offered a personal revelation: She was suffering from depression and PTSD. On that very day, she said, she had been crying. Her illness was “something that the African American culture likes to turn a blind eye to.” Coping for her was a daily struggle, against “nothing but the Devil.”

Meanwhile, she found an outlet for her increasing political awareness. She was determined to help the Jackie Robinson West baseball team, a group of black boys who had won the 2014 Little League World Series, but had the title taken away after it was discovered that some of the boys didn’t live in the team’s catchment area. Sandy vowed to collect petitions calling for reinstatement of the trophy. She spent hours at suburban malls, asking shoppers for signatures. She was disappointed that, though black people sometimes stopped, almost all of the very few people who signed were white.

She continued to post links to articles about disturbing injustices against black people. As April went by, they focused increasingly on police shootings of unarmed young men. One day she put up her own slogan, in capital letters: AT FIRST THEY USED A NOOSE. NOW ALL THEY DO IS SHOOT. She posted an image of a young black man in close-up, his neck encircled by an American flag, knotted so as to kill him by hanging. She made the noose image her profile picture.

In late June, she called her old friend in Prairie View, LaVaughn Mosley. They had a long talk about her frustration and, as Mosley calls it, her desperation. Her feelings for the older man with whom she was living had diminished, even as he was getting more serious. The relationship had become one of convenience, a roof over her head. She had asked her mother if she could move in with her. She told Mosley that her mother had said she would think about it. Mosley urged Sandy to go onto the Prairie View A&M jobs website. She did, and found three positions. One was permanent, for someone with a college degree. Two were clerical and temporary, for just a few weeks that summer. She applied for all of them.

She took a shower and went, on no sleep, to the interview. She was hired for one of the temporary jobs. It paid $13.80 an hour and would be just four weeks long. Her hire letter warned that it was “contingent upon the clearance of a background check.” Ecstatic nonetheless, Sandy called people to announce that she was hired. One of them was Mosley. He congratulated her and said she could stay with him until she got on her feet. He never saw her again.

The following afternoon, on Thursday, July 10, Sandy signed the papers for her job at Prairie View. She had just left that appointment when she was pulled over, brutalized, and arrested by Texas state trooper Brian Encinia.

At the county jail, Sandy told a Latino guard during intake that she had felt “very depressed” during the past year and that she felt that way at that moment. She added that she had tried to commit suicide in 2014 after losing her pregnancy (“a baby,” the jailer wrote). She said she’d experienced the death of a loved one.

Her revelations—and they were very brave ones, made to a stranger and signaling a desire for help—brought her no assistance whatsoever. It’s true that a little less than three hours after her intake, on a separate form, she contradicted herself and said she wasn’t depressed, never had been, and hadn’t thought of killing herself recently. Nonetheless, according to jail protocol, she should have been immediately seen by a mental-health professional and perhaps hospitalized—or, at the very least, put on suicide watch. None of these interventions happened. And, apparently, no one looked at her forearm.

She was charged with felony assault on a public servant and placed in a security cell that by chance was empty except for her. In effect, a very sociable young woman with signs of serious mental-health problems, and with a deep need to derive comfort from just being able to talk to someone, was thrown into solitary confinement

Her cell phone was confiscated. Inmates are able to use a phone on the wall inside their cells, but only if each person they dial agrees to a $14.99 charge. They are instructed to pour water down the cell’s floor drain every time they use the toilet. And they are ordered never to use the jail intercom except in an emergency.

Sandy called no one from her cell. No one visited. She was a woman with a reputation for never crying—yet, according to the women in a nearby cell, she spent Sunday sobbing uncontrollably and saying, repeatedly, that being locked up was not a life she could deal with.

On Monday, at about 6:30 am, she refused breakfast. Just before 8am she used the emergency-only intercom to beg a jail employee for more free calls from the front desk. He refused and said she needed to use the telephone in her cell. Two minutes later, she was on the intercom, making the same request. He again refused.

An hour later, she was found hanging from a bathroom privacy partition in her cell with a noose around her neck, fashioned from a plastic, jail-issue garbage bag. Her feet were touching the ground. The position is well known among coroners as being common in suicides, and quite effective for quickly causing death.

Postmortem, people of all races mourned Sandy as they might a dead daughter or good friend. Memorials, hashtags, and protests erupted, along with complicated theories about her being murdered by her jailers (many of whom were Latino or black). Her family filed a lawsuit, charging that the jail and jailers didn’t do what they should have done to prevent her from committing suicide. The defendants have responded to this eminently reasonable charge with stunning and stupefying cruelty, arguing that “Bland’s decision to commit suicide was hers alone.” Her family still doubts publicly that she killed  herself, even as their own lawsuit suggests otherwise.

Since Sandy’s death, discussion has grown about Black Lives Matter activists suffering from depression. They talk of being worn down and worn out by the constant microaggressions they suffer, and which they spend their lives fighting. One woman has talked of wanting to fire a gun to her head. MarShawn McCarrel, a 23-year-old from Columbus, Ohio, went beyond wanting: He fatally shot himself on the steps of his state’s capitol, after posting on his Facebook page, “My demons won today. I’m sorry.”

Since Bland’s death in 2015, her family has received a measly $1.9 million settlement in a wrongful death suit. The officer who started this all – 30 year old Brian Encinia – pled not guilty, but has since been fired & was indicted for a perjury charge.

 

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#SandySpeaks

*Excerpts taken from The Nation.